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Béla Tarr
Béla Tarr (born 21 July 1955) is an acclaimed Hungarian film director. Much of his work is marked by philosophical elements and a pessimistic view of humanity. His films utilize unconventional storytelling methods, such as long takes and/or non-professional actors to achieve realism.
Debuting with his film ''Family Nest'' in 1979, Tarr underwent a period of what he refers to as "social cinema", aimed at telling mundane stories about ordinary people, often in the style of cinema vérité. Over the next decade, the cinematography of Tarr's films gradually changed; ''Damnation'' (1988) was shot with languid camera movement aimed at establishing ambience. It marked Tarr's earliest experimentation with philosophical themes, focused mostly on bleak and desolate representations of reality. ''Sátántangó'' (1994) and ''Werckmeister Harmonies'' (2000) continued this approach; both are considered by some critics to be among the greatest films ever made. Tarr would later compete in the 2007 Cannes Film Festival with his film ''The Man From London''.
Frequent collaborators of Tarr include his wife Ágnes Hranitzky, novelist László Krasznahorkai, film composer Mihály Víg, cinematographer Fred Kelemen, and actress Erika Bók. After the release of his film ''The Turin Horse'' (2011), Tarr announced his definitive retirement from film direction. He has been teaching at the Sarajevo Film School since.
==Life==
Tarr was born in Pécs, but grew up in Budapest. His parents were both in the theatre and film industry: his father designed scenery, while his mother worked as a prompter at a theatre for more than 50 years. At the age of 10, Tarr was taken to a casting session run by Hungarian National Television (MTV) by his mother, and he ultimately won the role of the protagonist's son in a TV drama adaptation of Tolstoy's ''The Death of Ivan Ilyich''. Other than a small role in Miklós Jancsó's film ''Szörnyek évadja'' (''Season of Monsters'', 1986) and few one-glimpse cameos (such as in Gábor Bódy's ''Dog's Night Song'' ()), Tarr has sought no other acting roles. By his own account, initially he sought to become a philosopher, and considered film-making as something of a hobby. However, after making his 8mm short films, the Hungarian government would not allow Tarr to attend university so he instead chose to pursue film production.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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